Kolor Autopano Giga 3 precio barato

If the mirror was not properly level, the horizon line and with it the whole picture, would be wavy. The source photo is rectangular, as all photos taken by the camera, because that is the sensor shape. The black part at the outside of the picture corresponds to the inside of the tube which is placed in front of the lens.

At the end of the tube stands the glass, invisible to the camera, and in the center of it an also black circle, which is the base of the piece that holds, a little further, the curved mirror.

The donut-shaped sector between two black areas, is the parabolic mirror itself, and from its image derives all useful information for the panorama. As the camera and mirror point in vertical direction, the mirror reflects in the direction of the camera an entire picture of everything around it.

Also in the image it is obvious that the sector of the environment that the picture doen't show for beign under the center and holding up the mirror, contains precisely the camera and tripod, which is an advantage because you'll normally don't want to show such objects in your panoramas.

As a result, the image quality is less than which suggests the number of megapixels in the camera. The picture illustrating this page was photographed with a 4-megapixel camera.

The picture displayed can be remapped and trimmed to look like this: The straight line of the horizon shows that the camera was properly leveled. An incorrect leveling for the taking of the photograph would have resulted in a wavy horizon line, defect which have been corrected with a very fine edition, although the picture resulting'd lost some vertical viewing degree.

Like everything that degree photography is about, it always pays up to spare no time when photographing, for a thorough job at this stage will result in a final highest quality virtual tour, plus a much lighter work in the editing stage.

Notice that the two circles that define the original photo, the small one at the center and larger one in the outer zone, in the remapped image have been converted into strsight paralell lines, dragging the rest of the image with them. However, as both circles were of different sizes and have been both transformed into similarly sized lines, we can deduce that one of them has stretched to reach the other.

Consequently, different horizontal rows of pixels from the same picture differ in definition. Indeed, the upper area of the picture has a higher definition than the lower part. Had you noticed that? In recent times, with the advent of cameras of ever increasing definition, systems based on parabolic mirrors have regained attention respect more complex systems such as those based on fisheye lenses, as the qualities of their images are continuously increasing while the simplicity of system is almost insurmountable.

Another great advantage of the parabolic mirrors is that they are adaptable, right away, to uses that go beyond the mere photography: For parabolic mirrors brands currently available visit the pages of the leading manufacturers: COM says: Gracias por la observacion, Vicente. Intentaremos hacer la explicacion mas clara. Roberto bobdelcastillo hotmail. Hola,el tipo de foto o filmacion que deseo,es hacer una foto en 3 dimenciones si asi se le podria llamar,me explico. Hola Roberto. Gracias por participar en Facil.

Todo este sitio es acerca del tipo de fotografia de que hablas. Te recomendamos leer el Tutorial para conocer todos los sistemas posibles y cual es el que mas te conviene. Algunos son mas trabajosos, algunos mas sencillos, algunos mas baratos, algunos mas caros, algunos permiten mostrar solo a los lados, otros la esfera completa. Todos los sistemas son buenos pero es uno quien define sus preferencias.

Versions of both are kept in sync which is 4. The latest version of Autopano Giga takes the full potential of the original Autostitch concept and brings it to a new level of performance and capability.

Not only can Autopano Giga automatically stitch enormous panoramas, it can also detect which images among thousands for a coherent panorama. This works for both rectilinear and fisheye images. While this is a direct review of Autopano Giga, Autopano Pro is uses the same stitching engine and user-interface. There are simply more professional-level features in the Giga variant. Most notably: For the complete list of differences, see the Feature Comparison Chart on Kolor's website.

Both stitching programs offer a choice of over input formats, including RAW files from most cameras. Seven output formats ranging from the usual 8-bit to bit per-component for the creation of full HDR panoramas are equally supported. The latest versions of Autopano Giga and Autopano Pro support automatic Exposure-Fusion and HDR blending which has been dramatically improved compared to previous generations. Autopano offers a high level of automation and can do nearly everything automatically: Correct exposure and color inconsistencies between frames; Straighten the horizon; and even optimally crop panoramas.

Autopano Giga boasts a number of additional and plug-ins, including support for lens correction using Adobe Lens Profiles. There are native bit and bit versions and the user-interface is available in 9 languages. Both software can be purchased directly from Kolor. Applicable taxes must be paid on top of those amounts. Any purchaser is entitled to minor upgrades and fixes, so licenses are currently valid for the entire 4.

User Experience Autopano Pro and Autopano Giga - collectively referred to as Autopano in this review - use the same elegant interface on a grey background designed to minimize interference with color perception.

It now offers two shades of grey, a mid-tone or a dark one, which the entire UI takes on. Although version 4. Their interface is unconventional in that it is modeless and is designed for automation and parallelism. While most stitching software force the user to progressively advance through a series of steps, Autopano does not.

When working with Autopano, most common actions are performed by clicking on rather large icons. Some are difficult to guess what they are but they all have a minimal tooltip to help out.

For example, the Gear icon, seen in the screenshot below, looks like the Settings icon on most Android phones but it actually opens the Batch Renderer window in this case. Actual Settings are available from the Edit menu which brings up an imposing dialog with 6 tabs. There are many important options there including those to control the performance of Autopano and set defaults for rendering and saving completed panoramas. Autopano Giga Preview Window - Scaled Down When Autopano starts, it presents a split window with one side for groups of files and the other for panoramas.

From each group of files on the left, Autopano can detect any number of panoramas and add them to the right. There, each panorama shows a rough preview and basic information: This information is there to assess if Autopano detected a panorama well. One key metric is the RMS value which measures how well images match in overlapping areas. The lower the number, the better the match. High values usually appear either when a panorama is not taken properly or when photos are incorrectly identified as part of a panorama.

This regularly happens multiple photos of the same subject are taken from different points-of-view. For a completely automatic workflow, Autopano only requires the user to press four buttons: Select Images, from the main toolbar, which puts a group of images on the left.

Detect, appearing above each group of images, to detect panoramas and make them appear on the right. Render, either for a particular panorama or for all of them, which makes the Render dialog appear.

Render, again but from the Render dialog, to confirm quality and output options. Autopano Giga Panorama Editor - Scaled Down Should a panorama need modifications, a Panorama Editor window can be opened by clicking on the Edit button that appears above each detected panorama. The Editor window presents a toolbar of icons to perform many automatic and manual tasks: Automatic tools like Straighten Panorama and Set Vanishing Point actually work extremely well with just one or two clicks.

Other things, like Panorama Rotation which requires setting one angle-of-rotation of each of 3 axis without showing an interactive preview, are not very usable. It is impossible to choose correct values to a sufficient degree of precision without interactivity. Some tools have been greatly improved though. Move Image now happens interactively with Autopano updating the warping of other images in real-time.


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